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FE 16-35mm F2.8 GM II

SNOWY BEACH LAST GLOW, Lofoten Norway, Feb 2024 Alpha 7C II | FE 16-35mm F2.8 GM II | 19mm | 120s | F14 | ISO 50 | WB 7500K

INTRODUCTION

Sony’s FE 16-35mm F2.8 GM II (SEL1635GM2) is a full-frame ultra-wide-angle zoom lens from the second-generation G Master line. There are many improvements to its predecessor, notably the Nano AR Coating II, which helps suppress flares, resulting in a gorgeous sunstar. The lens is now more compact— 1 cm shorter in length and 130g lighter in weight. When paired with the Alpha 7C II (or Alpha 7C R), you’ll get a compact and lightweight combination, perfect for moving around and travelling.

Instead of charts and measurements, I will be showing you actual photographs that reveal the lens qualities and the final artistic creations produced using the Alpha 7C II and FE 16-35mm F2.8 GM II. The photo-taking conditions during my trips to Lofoten, Norway, and Hokkaido, Japan, were challenging but the camera and lens performed exceptionally despite enduring freezing temperatures as low as -15°C and high winds reaching up to 30 km/h at different times.

The lens has a versatile focal range from 16 to 35 mm, which is suitable for landscapes with a foreground, specifically seascapes and lakes. Moreover, its maximum aperture of F2.8 covers low-light indoor situations and astrophotography, such as capturing the Milky Way and star trails. Along with its superior optical qualities and compact design, the FE 16-35mm F2.8 GM II has become one of my favourite lenses.

LAND OF BLISS, Lofoten, Norway, Feb 2024 Alpha 7C II | FE 16-35mm F2.8 GM II | 23mm | 1/125s | F5.6 | ISO 800 | WB7000K

WHAT’S NOT EDITED

All photos in this review were taken in RAW format using the Alpha 7C II and were processed through RAW decoding in Adobe Lightroom. Sharpening was set to standard for 33MP (Amount= 70, Radius= 0.8, Detail= 70, Masking= 0). Then, I edited them in Photoshop using Luminosity Masks to achieve the final artistic effect. However, the following were left untouched:

Distortion
Vignetting
Flare
Chromatic Aberration (CA)

CRITERIA FOR CHOOSING A LENS

Technologies have advanced significantly since the 1990s, raising the bar in lens selection. For instance, flagship lenses from major manufacturers have significantly reduced chromatic aberration and improved sharpness towards the corners. Therefore, my current criteria for choosing a lens for landscape photography have since changed. Here they are in order of priority:

Sunstar and flare: Sunstar makes a landscape photo unique and special. Lenses that can create beautiful and unblemished sunstars are rare.
Distortion: Wide zoom lenses almost always exhibit distortion. The less distortion there is, the more natural an image appears. We can correct distortion in post-processing, but this may result in the expanding or compressing of the image, ultimately reducing its original sharpness.
Sharpness to the corners: Achieving uniform sharpness from the centre to the corners of an image is very challenging.
Vignetting: It refers to the darker shading in the four corners compared to the central area.
Chromatic aberration: Also known as colour fringing, it is most visible at high-contrast edges.
Autofocus: I manually focus for landscape photography and occasionally use AF when shooting wildlife in Hokkaido. Therefore, AF is the lowest priority.

BEAUTIFUL SUNSTAR WITH LITTLE FLARE

Among all the lens characteristics, achieving a sunstar effect is probably the most challenging because it depends on a combination of factors, including optical design, the number of aperture blades used, and the quality of nano coating. A sunstar is considered beautiful when its entire body is clearly defined, with long and balanced bursting light rays featuring sharp points.

The number of bursting light rays usually relates to the number of aperture blades—an even number of blades results in the same number of points. For example, lenses with six aperture blades produce a six-pointed star. On the other hand, an odd number of blades results in twice the number of points. For instance, the FE 16-35mm F2.8 GM II lens with 11 aperture blades produces a 22-pointed star. I love capturing the effect of 22 bursting light rays for landscape photography. When the bright sun is partially obscured by a mountain, 11 bursting light rays (half of 22) become visible, creating a stunning visual display. On the contrary, if you have a six-pointed star in the same half-covered situation mentioned above, only three light rays would be visible, which would look less desirable.

The quality of nano coating helps suppress the reflection on each lens element's surface, reducing the lens flare and ghosting. Sony’s second-generation Nano AR Coating technology was first used on the FE 12-24mm F2.8 GM in 2020 with great success. This high-end lens produces the most beautiful and cleanest sunstar I have ever seen. This FE 16-35mm GM II lens also benefited from the same Nano AR Coating technology, albeit to a lesser degree due to its optical design. There are still a few tiny flare spots in the photos that I have taken, but they can be easily removed in post-processing.

Note: When shooting directly at the sun, avoid using any filters to prevent introducing additional flare into the lens.

Sunstar FE 16-35mm F2.8 GM II

Detailed close-up of the sunstar before and after correction.

Here is my ranking of the quality of sunstars produced by the Sony lenses that I have used:

FE 12-24mm F2.8 GM: Simply the best sunstar effect with virtually no flare.
FE 16-35mm F2.8 GM II (reviewed lens): Excellent sunstar effect with a few flare spots.
FE 12-24mm F4 G: Good sunstar effect with bursting light rays that are not sharp. At apertures larger than F11, it creates a fan-shaped star.
FE 16-35mm F2.8 GM: Good sunstar effect with flares.
FE 24-70mm F2.8 GM II: Good sunstar effect with some flares.
FE 24-70mm F2.8 GM: Good sunstar effect with flares.
FE PZ 16-35mm F4 G: Sunstar effect with skinny and excessively long bursting light rays with flares.

RED GRASS, Lofoten, Norway, Feb 2024 Alpha 7C II | FE 16-35mm F2.8 GM II | 20mm | 120s | F11 | ISO 200 | WB 4100K

DISTORTION

Distortion is an optical error in which straight lines appear curved, either inward like a barrel, outward like a pincushion, or with complex geometry like a mustache. It differs from perspective distortion, which is the effect of near objects appearing larger and far objects appearing smaller. For example, when looking up at a tall building, we can see that the top of the building appears smaller than the bottom of the building. This occurs because the base of the building is closer to the camera. This converging effect is more pronounced at wider focal lengths and is not a lens error.

Zoom lenses are much more optically complex than prime lenses. Therefore, it is more challenging to produce low-distortion zoom lenses. Although seascapes and lakes require good distortion control to maintain a straight horizon line, I rarely capture visually compelling photos with an unobstructed horizon in practical use. Most of my photos include background subjects, such as mountain ranges, which add interest to the composition.

Alpha 7C II | FE 16-35mm F2.8 GM II | 19mm | 120s | F14 | ISO 50 | WB 7500K

DISTORTION CORRECTION OF GM II IS BETTER THAN GM

When taking photos at various focal lengths, I observed that the distortion correction of the FE 16-35mm F2.8 GM II lens is slightly better than its predecessor. The lens has an average distortion, which is most noticeable at 16mm. Focal lengths ranging from 20mm to 35mm exhibit minimal distortion. Consequently, when capturing real-life photos, I did not observe any distortion and thus did not need to correct it during post-processing for any of the images in this review.

Below is a test shot I took with the horizon before and after applying distortion correction in Adobe Photoshop.

SHARPNESS

A lens must be sharp enough to fully reveal the camera resolution expressed in megapixels (MP). As a camera's resolution increases, the lens needs to be sharper to match it. As a leading manufacturer of camera sensors, Sony has set out to create the sharpest lenses to satisfy even 100MP or higher resolution cameras. They have spent 20 years developing the XA (extreme aspherical) lens elements, which are key to taking lens sharpness to a new level. Subsequently, GM lenses were born, combining superb sharpness with buttery smooth bokeh. The GM II lineup of lenses has been further improved, making them even smaller and lighter.

The FE 16-35mm F2.8 GM II lens uses three XA elements (the previous GM version used two), improving uniform sharpness while maintaining a more compact design. Lens sharpness is one of the most desirable features for most photographers, and this GM II lens is one of the sharpest ultra-wide-angle lenses available, delivering exceptional sharpness from the centre to the corners that money can’t buy from any other brands.

Highly detailed definition of FE 16-35mm F2.8 GM II

SAKRISØY RED HOUSE, Lofoten, Norway, Feb 2024 Alpha 7C II | FE 16-35mm F2.8 GM II | 18mm | 30s | F11 | ISO 100 | WB 6600K

VIGNETTING

Vignetting is a gradual shading from the periphery of a lens to its brighter centre. This effect is most visible at the largest aperture, which is F2.8 for this FE 16-35mm F2.8 GM II lens. For astrophotography, a maximum aperture of F2.8 would be used to keep the ISO setting low, thus reducing noise. In such cases, the night sky would be completely dark, making it hard to discern any vignetting. I primarily use apertures between F11 and F16 for daylight landscape photography, at which vignetting is least visible. Therefore, in practical use, vignetting is unnoticeable with this lens unless you shoot a uniformly white frame.

Vignetting at F2.8. Compared to the middle area, the upper left and right corners do not show any noticeable difference. However, light on the lower horizon affects the light and dark areas in the two corners of the image more, making the vignetting effect of the lens less visible, even though it is present.

In the photo below, you can see that the cloud areas at the top left and top right are quite uniform, as are the snow areas at the bottom left and bottom right, compared to the middle area.

HAMNØY SUNRISE, Lofoten, Norway, Feb 2024, Alpha 7C II | FE 16-35mm F2.8 GM II | 22mm | 120s | F16 | ISO 50 | WB 6150K

CHROMATIC ABERRATION – CA

Chromatic aberration is a type of lens error where all colours are not focused precisely to the same point, resulting in the most noticeable colour fringing at contrasting edges. FE 16-35mm F2.8 GM II features an advanced optical design with one Super ED and two ED elements to suppress chromatic aberrations. As a result, both contrast and colour quality have improved, leading to perceived sharpness, as fine edge details remain clear and sharp.

Chromatic aberration, also known as purple fringing, is not visible at all, even in backlit conditions.

SUPERFAST AF FOR THE FUTURE

The FE 16-35mm F2.8 GM II lens employs four XD linear motors to provide precise autofocus, which is twice as fast as its predecessor. On a high-performance camera like the Alpha 9 III, continuous shooting can achieve speeds of up to 120 fps. This newfound autofocus performance is tremendously useful for close-up sports photography or videography.

The four XD linear motors in the FE 16-35mm F2.8 GM II lens enable extremely fast autofocus (AF), reaching speeds of up to 120 fps when paired with a camera body with high-speed capabilities.

RED CABIN BLUE LAGOON, Lofoten, Norway, Feb 2024 Alpha 7C II | FE 16-35mm F2.8 GM II | 35mm | 120s | F11 | ISO 50 | WB 7500K

CONCLUSION

Choosing the right lens for an important trip is a serious consideration for most photographers. Using an inferior lens can lead to long-lasting regret. I experienced this many years ago when I thought I had taken some great shots, only to discover later that they were technically unacceptable. Some photos had good lighting but were too soft in sharpness, while others had a sunstar effect but were ruined by severe flare. This can be a nightmare for photographers who have invested a lot of money in their trips.

After spending two months with the FE 16-35mm F2.8 GM II, I have taken over 800 photos, including shots from Lofoten, Norway, and Hokkaido, Japan. This lens has grown on me. Paired with the Alpha 7C II body, this combo has endured some of the harshest weather conditions while confidently producing vibrant and sharp photos. This lens is undoubtedly one of the best ultra-wide-angle lenses available today. In addition, it is compatible with the 100mm rectangle filter system, making it ideal for landscape photography. Below are the pros and cons of the FE 16-35mm F2.8 GM II:

PROS

Significantly smaller and lighter than the FE 16-35mm F2.8 GM.
Excellent flare control, ranked second only to the FE 12-24mm F2.8 GM.
Beautiful 22-pointed sunstar that is well-defined with only a few spots of flare, which can be easily removed in post-processing.
Lesser distortion than its predecessor; no additional correction in post is required for most of the time.

No visible chromatic aberration or purple fringing.
Excellent sharpness is maintained from the centre to the corners, although the corners do not exhibit the same level of excellence as the centre of the image.
The F2.8 large aperture is convenient for capturing star trails, while the 16mm wide angle is useful when the Milky Way is in an upright position.
You can use the standard 100mm rectangle filter system.
Super fast autofocus which supports up to 120 fps (in camera bodies like the Alpha 9 III).

CONS

There are still a few flare spots when shooting in the sun. It would be ideal if this issue could be completely eliminated, similar to the FE 12-24mm F2.8 GM. Even so, these few flare spots can be easily removed in post-processing.

MAGICAL REINE, Lofoten Norway, Feb 2024 Alpha 7C II | FE 16-36mm F2.8 GM II | 17mm | 120s | F16 | ISO 50 | WB 6700K

WINDY BEACH, Lofoten Norway, Feb 2024 Alpha 7C II | FE 16-36mm F2.8 GM II | 19mm | 120s | F11 | ISO 100 | WB 7500K

GREEN SKAGSANDEN, Lofoten Norway, Feb 2024 Alpha 7C II | FE 16-36mm F2.8 GM II | 26mm | 120s | F14 | ISO 50 | WB 6500K

WHITE BEACH GREEN SKY, Lofoten Norway, Feb 2024 Alpha 7C II | FE 16-36mm F2.8 GM II | 21mm | 120s | F16 | ISO 50 | WB 7500K

CONVERGING, Lofoten Norway, Feb 2024 Alpha 7C II | FE 16-36mm F2.8 GM II | 35mm | 1/80s | F7 | ISO 800 | WB 5500K

SNOW PATTERN, Hokkaido Japan, Feb 2024 Alpha 7C II | FE 16-36mm F2.8 GM II | 35mm | 1/4s | F16 | ISO 50 | WB 5950K

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FE 70-200mm F4 Macro G OSS II

Enchanting Vietnam through the lens of @spookylens | Featuring FE 70-200mm F4 Macro G OSS II

Calvin — Mon, 25 Mar 2024 08:45:50 +0000

Enchanting Vietnam through the lens of @spookylens | Featuring FE 70-200mm F4 Macro G OSS II

Calvin Mon, 03/25/2024 - 14:15

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Lens highlights | FE 70-200mm F4 Macro G OSS II

Why Woo-guen chose FE 70-200mm F4 Macro G OSS II

Travel Q&A with Woo-guen

Choi Woo-geun, better known as @spookylens on Instagram, is a South Korean brand photographer. When not hard at work, he captures his love for the great outdoors in the form of scenic landscape photos and dynamic street snaps. His adventurous spirit took him to Vietnam, where he discovered the coexistence of breathtaking natural landscapes and bustling urban life.

We sat down with Woo-geun to talk about his latest escapade to Vietnam and the breathtaking sights he captured with his Alpha 7R V and FE 70-200mm F4 Macro G OSS II.

Alpha 7R V | FE 70-200mm F4 Macro G OSS II | 86 mm | 1/320 sec | F4 | ISO 100

Lens highlights | FE 70-200mm F4 Macro G OSS II

The FE 70-200mm F4 Macro G OSS II is a next-generation telephoto zoom lens with pinpoint sharpness and half-macro performance throughout its zoom range. No matter if you’re shooting from up close or at a distance, this handy lens has got you covered. It is also highly compact, making it ideal for travel photographers to carry on the move.

Focal length: 70-200mm
Min. focus distance: 0.26-0.42m
Max. magnification ratio (X): 0.5
Weight: 794g

Alpha 7R V | FE 70-200mm F4 Macro G OSS II | 140 mm | 1/800 sec | F5.6 | ISO 400

Alpha 7R V | FE 70-200mm F4 Macro G OSS II | 200 mm | 1/400 sec | F4 | ISO 400

I wanted to capture the beauty of both the city and the great outdoors, as well as the moments of the local people and the landscapes they live in through my photographs.”

Why Woo-guen chose FE 70-200mm F4 Macro G OSS II

According to Woo-guen, the moment that captures the photographer's heart passes by very quickly when taking street photos. As such, the fast subject recognition and AF tracking capabilities of the FE 70-200mm F4 Macro G OSS II when paired with the Alpha 7R V helped him tremendously in capturing decisive moments on the move. Moreover, when shooting outdoors all day, the weight of one’s gear can weigh a photographer down. Woo-guen appreciates the compactness of the FE 70-200mm F4 Macro G OSS II, which allowed him to shoot for longer without feeling the weight of a typical telephoto lens.

Alpha 7R V | FE 70-200mm F4 Macro G OSS II | 126 mm | 1/500 sec | F4 | ISO 400

Alpha 7R V | FE 70-200mm F4 Macro G OSS II | 200 mm | 1/500 sec | F4 | ISO 400

Travel Q&A with Woo-guen

Tell us more about your choice of equipment.

I used the Alpha 7R V and FE 70-200mm F4 Macro G OSS II combination for this particular trip. The Alpha 7R V is a high-resolution camera that excels in capturing details in travel and landscape photography, making it my primary choice for most of my recent personal projects. Although compact, the FE 70-200mm F4 Macro G OSS Iens offers an incredible focal length of 70-200mm and never fails to deliver excellent imagery.

Alpha 7R V | FE 70-200mm F4 Macro G OSS II | 86 mm | 1/320 sec | F4 | ISO 100

What made you want to visit Vietnam for your photography escapade?

I wanted to travel to a place where I could capture both urban and natural landscapes in one trip. As I sifted through destinations, Hanoi came on top of my list as it has both bustling cityscapes and stunning natural scenery on the outskirts.

Alpha 7R V | FE 70-200mm F4 Macro G OSS II | 96 mm | 1/320 sec | F5.6 | ISO 200

Even in a bustling urban city like Hanoi, you can easily encounter traces of the past in their traditional attire, food, and architecture. It's also a fascinating place where you can witness the chaotic and vibrant scene of countless motorcycles and cars intertwining. Walking through this city where the past and present coexist, you can capture some amazing street photos. Moreover, just outside of Hanoi, there are fantastic places where you can witness the beauty of karst landscapes. These locations offer breathtaking scenery for capturing landscape photos.

Alpha 7R V | FE 70-200mm F4 Macro G OSS II | 95 mm | 1/80 sec | F4 | ISO 1600

Alpha 7R V | FE 70-200mm F4 Macro G OSS II | 70 mm | 1/400 sec | F4 | ISO 100

What should you be mindful of when taking photos in Vietnam?

No matter where you travel for a shoot, the most important factor is lighting. It's crucial to be aware of the direction, type, and amount of light whenever you take a photo. I recommend simulating and understanding the shooting situation and the available lighting before you press the shutter. You may also check the weather and a map of your destination on the internet before making a trip down so that you can anticipate shooting conditions.

Alpha 7R V | FE 70-200mm F4 Macro G OSS II | 70 mm | 1/160 sec | F4 | ISO 200

Travel is always enjoyable, but taking photos is a challenge that excites.”

Get inspired

If you’ve been inspired by Woo-guen’s adventure and plan to make a trip of your own to Vietnam, Woo-geun recommends that you visit the rainy countryside of Ninh Binh, which is a 3-hour drive from Hanoi. All in all, Woo-guen recommends the FE 70-200mm F4 Macro G OSS II to any travel photographer. “It’s the perfect travel companion for long periods of outdoor shooting while maintaining an excellent image quality throughout the zoom range.”

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FE 70-200mm F4 Macro G OSS II

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Dazzling Taiwan through the lens of @siniple | Featuring FE 70-200mm F4 Macro G OSS II

Calvin — Fri, 22 Mar 2024 08:41:14 +0000

Dazzling Taiwan through the lens of @siniple | Featuring FE 70-200mm F4 Macro G OSS II

Calvin Fri, 03/22/2024 - 14:11

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Lens highlights | FE 70-200mm F4 Macro G OSS II

Why Siniple chose FE 70-200mm F4 Macro G OSS II

Travel Q&A with Siniple

When not shooting for brands, Siniple, a photographer hailing from South Korea, documents memorable moments on his travels through photos and videos. He also takes on projects for domestic and international tourism boards, further satiating his wanderlust. Most recently, he embarked on a journey to Taiwan, the land where the old meets the new in an eclectic fusion.

We had a quick chat with Siniple to hear more about his trip and how the Alpha 7R V and FE 70-200mm F4 Macro G OSS II have helped him along the way.

Alpha 7R V | FE 70-200mm F4 Macro G OSS II | 70 mm | 3.2 sec | F11 | ISO 100

Lens highlights | FE 70-200mm F4 Macro G OSS II

Weighing only 794g, the FE 70-200mm F4 Macro G OSS II is an ultra-compact telephoto zoom lens with half-macro performance throughout its zoom range. Being much lighter than its predecessor, the FE 70-200mm F4 Macro G OSS, it is more suitable for travel photographers to carry around and shoot handheld.

Focal length: 70-200mm
Min. focus distance: 0.26-0.42m
Max. magnification ratio (X): 0.5
Weight: 794g

Alpha 7R V | FE 70-200mm F4 | 172 mm | 1/250 sec | F10 | ISO 400

Alpha 7R V | FE 70-200mm F4 Macro G OSS II | 70 mm | 1/50 sec | F4 | ISO 2500

Its lightweight and compact design creates a satisfying shooting environment. A comfy environment allows me to focus on photography.”

Why Siniple chose FE 70-200mm F4 Macro G OSS II

Being a photographer who is constantly on the move, Siniple appreciates how the lightweight FE 70-200mm F4 Macro G OSS II doesn’t strain his wrist after a full day of use, stating that it’s ideal for photographers who shoot handheld for long periods. Without the extra bulk weighing him down, Siniple was able to enjoy the moment and focus on framing his shots.

Travel Q&A with Siniple

Tell us more about your choice of equipment.

When it comes to street and landscape photography, I use the Alpha 7R V and FE 70-200mm F4 Macro G OSS II combination for its fast autofocus and image stabilisation. Due to the nature of shooting nightscapes, I found myself in situations where I had to make do with little light. Thankfully, I was able to stably capture handheld shots with shutter speeds as slow as 3-4 seconds, allowing me to shoot at relatively low ISO settings. The FE 70-200mm F4 Macro G OSS II provided noticeable improvements in image quality and as expected, its lightweight and compact design allowed me to shoot more comfortably for long hours.

Alpha 7R V | FE 70-200mm F4 Macro G OSS II | 172 mm | 1/250 sec | F4 | ISO 800

Alpha 7R V | FE 70-200mm F4 Macro G OSS II | 184 mm | 1/125 sec | F4 | ISO 2000

What made you want to visit Taiwan for your photography escapade?

Taiwan may be a small country but it offers a plethora of photographic opportunities. It's easy to navigate between urban and natural landscapes, and it encompasses both Chinese and Japanese influences. Small and large temples alike can be spotted throughout the city, reminiscent of an idyllic traditional Chinese village. However, as I ventured into the alleys, I felt as though I had stepped into a quaint, peaceful Japanese town.

Alpha 7R V | FE 70-200mm F4 | 70 mm | 1/250 sec | F6.3 | ISO 100

The urban streetscapes blend in so well with its natural and cultural characteristics that I was enchanted at once. I strove to capture the captivating essence of Taiwan in as many photos and videos as I possibly could.

What should you be mindful of when taking photos in Taiwan?

Personally, I enjoy capturing natural moments without missing a beat. No matter if it’s for a few seconds or a fleeting moment, being ready at any time is crucial. Since I mainly use macro mode, setting the appropriate values quickly is also important. Depending on the location and time, I usually adjust the settings to match the environmental conditions in advance.

Alpha 7R V | FE 70-200mm F4 | 77 mm | 1/400 sec | F8 | ISO 100

I want to share positivity with others through the travel photos and experiences I have captured so far.”

Get inspired

An adventurous spirit at heart, Siniple is planning to embark on many more adventures around the world and work on his collection of travel photo essays to share the joy of travel with a broader audience. The FE 70-200mm F4 Macro G OSS II has been instrumental in his conquests and he is looking forward to exploring more destinations with this handy telephoto lens in hand. “As expected, it was a great decision to visit Taiwan with such a compact yet powerful lens in hand.”

Alpha 7R V | FE 70-200mm F4 Macro G OSS II | 70 mm | 1/200 sec | F4 | ISO 400

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Lens highlights | FE 20-70mm F4 G

VLOG

Scenic South Korea through the lens of @bombyul | Featuring FE 20-70mm F4 G

Calvin — Fri, 22 Mar 2024 07:52:48 +0000

Scenic South Korea through the lens of @bombyul | Featuring FE 20-70mm F4 G

Calvin Fri, 03/22/2024 - 13:22

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Why Bombyul chose FE 20-70mm F4 G

Travel Q&A with Bombyul

South Korean travel photographer Bombyul prefers to take a slow and steady approach to capturing her travels and documenting them on her Instagram page @bombyul. She takes us on a scenic journey through Jeonju, South Korea, capturing sights of beauty with the Alpha 7C II and FE 20-70mm F4 G.

Lens highlights | FE 20-70mm F4 G

Compact and lightweight with fast AF, the FE 20-70mm F4 G redefines the standard zoom with an even wider focal length range, becoming a choice lens for versatile creators who are always on the go.

Focal length: 20-70mm
Min. focus distance: 0.30m (W), 0.25m (T)
Max. magnification ratio (X): 0.39
Weight: 488g

Alpha 7C II | FE 20-70mm F4 G | 52 mm | 1/80 sec | F4 | ISO 320

Portability was important to me because Jeonju is mostly accessible on foot or by public transport.”

Why Bombyul chose FE 20-70mm F4 G

Bombyul needed a lens that was both versatile and portable as most of her journey was on foot, which made the FE 20-70mm F4 G perfect for her. “This lens is not only lightweight, it guarantees good results.”

Alpha 7C II | FE 20-70mm F4 G | 70 mm | 1/500 sec | F4.5 | ISO 100

Travel Q&A with Bombyul

What was it like capturing your travels with your equipment?

The Alpha 7C II was intuitive and great for shooting handheld paired with the lightweight FE 20-70mm F4 G. Together, the image stabilisation was good. Plus, the lens' wider angle gave me more options and versatility when taking landscape photos.

Alpha 7C II | FE 20-70mm F4 G | 70 mm | 1/1000 sec | F4.5 | ISO 100

What advice do you have for fellow travel photographers?

The best way to take good travel photos is to take a lot of them. Finding just one A-cut is important, but try taking more photos of many different moments. New A-cuts may appear in unexpected places.

Alpha 7C II | FE 20-70mm F4 G | 20 mm | 1/320 sec | F6.3 | ISO 100

What was your most memorable moment?

A memorable location was Deokjin Park in Jeonju. There were many peaceful and beautiful shooting spots. The library in the middle of the lake can be captured from various angles. Yeonhwajeong Library was also impressive with its sunny Hanok windows and stacks of books on display.

Alpha 7C II | FE 20-70mm F4 G | 45 mm | 1/125 sec | F4 | ISO 100

Get inspired

Give Jeonju a visit if you’re heading to South Korea. When you look down on Jeonju from the hill Omokdae, it retains an old atmosphere which reminds us of the city of the past. You’ll love it especially if you like a peaceful and quiet atmosphere.

There is beauty in old things recorded over time.”

Alpha 7C II | FE 20-70mm F4 G | 70 mm | 1/320 sec | F4 | ISO 100

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Street Photography

Braving the rugged wilderness of the Catlins Coast with Stefan Haworth | Capture like an Alpha Traveller

Calvin — Tue, 27 Feb 2024 08:39:59 +0000

Braving the rugged wilderness of the Catlins Coast with Stefan Haworth | Capture like an Alpha Traveller

Calvin Tue, 02/27/2024 - 14:09

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Embark on your adventures like an Alpha Traveller

Based in Queenstown, New Zealand, Stefan Haworth is a Sony Digital Imaging Ambassador specialising in action, sports and travel photography. However, his passion lies in exploring the great outdoors in his backyard and beyond.

IG: @stefan_haworth

The Catlins in the deep south of New Zealand is where the forest meets the ocean. It’s a raw and powerful coastline. Choosing the right equipment is crucial for making the most of this wild destination.

What’s in my backpack

Photographing the diverse wildlife of the Catlins requires a camera that can capture the nuances of their behaviour and expressions. I used the latest Full-frame compact 61MP Alpha 7CR to ensure stunning, high-resolution shots. Even though it has a smaller and more compact body than other Alpha cameras, it doesn’t compromise image quality. It was always at my side to capture every moment on The Catlins Coast. Its fast autofocus system and 8 frames-per-second continuous shooting speed make it a great choice.

When paired with the FE 70-200mm F2.8 GM OSS II, the Alpha 7CR provides the reach and speed needed to capture wildlife moments that are fleeting and unpredictable. From fur seals in motion to penguins emerging from the water, this camera-lens combination ensures you never miss a shot. Be careful not to mistake any sleeping sea lions for logs as you walk along the beach. You might need some running shoes. I did!

Another lens I used on my trip was the FE 24-70mm F2.8 GM II. It’s a versatile workhorse well-suited to a wide range of shooting situations. Whether you're capturing the lighthouse against the dramatic sunrise with the lens wide at 24mm or focusing on the intricate details of the structure during the golden hour at 70mm, this lens delivers sharpness and clarity. The F2.8 aperture lets you play with depth of field, creating images that pop with vivid detail while beautifully blurring the background.

Alpha 7CR | FE 24-70mm F2.8 GM II | 24mm | 1/160 sec | F7.1 | ISO 250

Must-see attractions and highlights

Nugget Point Lighthouse is a highlight among many people for good reason. It’s simply stunning, surrounded by cliffs with nesting birds and seals lazing underneath. The lighthouse dominates the panoramic view. I’ve ventured to this lighthouse on multiple occasions. The sun rising over the ocean is one of my favourite times to capture the lighthouse. Next on my list is to capture the lighthouse with the aurora under the starry sky.

Alpha 7CR | FE 70-200mm F2.8 GM OSS II | 200mm | 1/1250 sec | F2.8 | ISO 125

Alpha 7CR | FE 70-200mm F2.8 GM OSS II | 103mm | 1/500 sec | F2.8 | ISO 80

The Catlins is home to the Yellow Eyed Penguin — the world’s rarest penguin. I waited hours in the dark for the small animal to appear at first light, only to appear on the other side of a shrub. Seals, on the other hand, are plentiful. You can find them sunbathing on rocks or rolling in the sand. If you’re lucky enough, October and November are the perfect time to see the baby seals play in the rock pools. Sometimes, in the distance, the odd Albatross with a giant 2m wingspan soars across the wave’s tops. It might be a harsh and raw environment, but there’s wildlife everywhere to capture.

Weather, climate and shooting conditions

The Catlins are known for having four seasons in one day. One moment it’s hot, next hailing, then raining, then snowing, then sunny again. It’s not just the downpours you’ll need a rain jacket for. It’s for getting close to the hidden waterfalls tucked along the coast. Exploring the waterfalls and enchanted forests of the Catlins demands a versatile camera system. The Alpha 7CR, with its adaptable features and impressive dynamic range, is perfect for such conditions. Whether you're experimenting with long-exposure shots at the crowd-favourite Purakaunui Falls or capturing the dappled light within Catlins Forest Park, the Alpha 7CR's flexibility shines through.

Alpha 7CR | FE 24-70mm F2.8 GM II | 24mm | 1/30 sec | F2.8 | ISO 320

Underneath the canopy, it gets darker, and an F2.8 aperture becomes particularly crucial for capturing in low-light situations. The camera’s ISO capabilities are exceptional, but even in the forest, an overhead thick cloud could challenge the shooting situation if you don’t have a tripod. I recommend a lens with an aperture of F2.8 or wider.

Alpha 7CR | FE 70-200mm F2.8 GM OSS II | 100mm | 1/5000 sec | F4.5 | ISO 320

Being remote and raw, the Catlins can be challenging but beautifully rewarding for photographers. The Alpha 7CR, paired with the FE 24-70mm F2.8 GM II and FE 70-200mm F2.8 GM OSS II lenses, is a setup I found perfect for travelling along the Catlins coast as it’s ideal for capturing the beauty, wonder, and magic of this extraordinary destination.

Embark on your adventures like an Alpha Traveller

The grandest voyages begin with a reliable set of gear that can keep up with your travelling pace and photographic needs. Equipment aside, it’s essential to be adaptable, adventurous and always ready to capture the world’s wonders.

Read more on Stefan’s journey around New Zealand.

Navigating the Majestic Mt. Cook with Stefan Haworth | Capture like an Alpha Traveller

Fly high above the Southern Alps of New Zealand with Stefan Haworth | Capture like an Alpha Traveller

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Alpha 7CR

กล้องฟูลเฟรมขนาดกะทัดรัด 61.0 เมกะพิกเซล

FE 24-70mm F2.8 GM II

เลนส์ซูมมาตรฐาน G Master สำหรับกล้องฟูลเฟรม

FE 70-200mm F2.8 GM OSS II

เลนส์ซูมเทเลโฟโต้ G Master สำหรับกล้องฟูลเฟรม

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Fly high above the Southern Alps of New Zealand with Stefan Haworth | Capture like an Alpha Traveller

Calvin — Tue, 27 Feb 2024 08:03:51 +0000

Fly high above the Southern Alps of New Zealand with Stefan Haworth | Capture like an Alpha Traveller

Calvin Tue, 02/27/2024 - 13:33

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FE 70-200mm F2.8 GM OSS II

What’s in my backpack

Must-see attractions and highlights

Weather, climate and shooting conditions

Embark on your adventures like an Alpha Traveller

IG: @stefan_haworth

Flying amongst the Southern Alps of New Zealand is a breathtaking adventure that offers unparalleled views of the stunning alpine landscape. It’s an absolute dream for many photo-enthusiasts as well as professionals.

Alpha 7CR | FE 70-200mm F2.8 GM OSS II | 180mm | 1/1600 sec | F3.5 | ISO 250

What’s in my backpack

Capturing this once-in-a-lifetime journey with the Sony Alpha 7CR, equipped with the two G-master lenses; the FE 70-200mm F2.8 GM OSS II and FE 24-70mm F2.8 GM II lenses that proved to be a masterstroke. These two lenses offered a perfect blend of diversity, allowing for both detailed, close-up shots of the mountain's intricate features, and expansive, wide-angle views of scenes like the sunrise over Mount Aspiring.

Alpha 7CR | FE 24-70mm F2.8 GM II | 56mm | 1/500 sec | F2.8 | ISO 160

Must-see attractions and highlights

Mount Aspiring is a sharp mountain top that dominates the scene surrounded by glaciers and big cliffs that loom over the Matukituki River. The first light’s glow upon this peak was easily one of my favourite photos. The fast F2.8 aperture of these lenses played a crucial role, as it was still challenging with bumps and low light scenes. In the low light conditions experienced, a slower aperture like F4 would have posed a significant challenge even with amazing ISO. With the versatility of the F2.8 lenses, I was able to adapt to the rapidly changing lighting conditions and capture the essence of this majestic landscape in all its glory. As the last thing you want to do is land and realise some images are blurry from turbulence.

Alpha 7CR | FE 24-70mm F2.8 GM II | 24mm | 1/1250 sec | F3.2 | ISO 800

Weather, climate and shooting conditions

You can’t always guarantee the wing strut and wheel won’t get in the way of your framing so having the zoom helps navigate obstructions and snap an opportunity when it arises. It saves cropping in post and losing valuable pixels. Don’t forget to also embrace it and make the window part of your framing too.

Treated with an open window was great without glass reflection, but at that altitude the temperature was a bitterly cold -10 degrees Celsius. Make sure you don’t forget your gloves and have everything strapped in, you don’t want to lose your camera or loose items of clothing. Even take off your lens hood as that can get ripped off if you lean out the window.

Alpha 7CR | FE 24-70mm F2.8 GM II | 38mm | 1/1250 sec | F4.5 | ISO 160

The biggest importance when flying is preparation, making sure your SD cards are empty and lenses are clean. You can’t go back and reframe your photo with ease in an aeroplane. Having a responsive camera is just as vital. The Sony Alpha 7CR proves to be an ideal companion in these situations, boasting a remarkable burst shooting capability of up to 8 frames-per-second. This high FPS rate allows for capturing a rapid sequence of shots in quick succession, ensuring no moment is missed amidst the breathtaking landscapes and fleeting lighting conditions of aerial photography. Moreover, the advanced autofocus system of the Alpha 7CR ensures sharp and precise focus even in fast-paced, dynamic environments, allowing photographers to seize every detail with confidence and clarity.

Embark on your adventures like an Alpha Traveller

I’d highly recommend exploring the Southern Alps from the air if you really enjoy photography. Go capture a sunrise on your Sony Alpha 7CR where first rays of light paint the peaks and valleys with a warm, golden hue. If you’re lucky you may even land the plane on the glacier!

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Alpha 7CR

กล้องฟูลเฟรมขนาดกะทัดรัด 61.0 เมกะพิกเซล

FE 24-70mm F2.8 GM II

เลนส์ซูมมาตรฐาน G Master สำหรับกล้องฟูลเฟรม

FE 70-200mm F2.8 GM OSS II

เลนส์ซูมเทเลโฟโต้ G Master สำหรับกล้องฟูลเฟรม

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Navigating the Majestic Mt. Cook with Stefan Haworth | Capture like an Alpha Traveller

Calvin — Tue, 27 Feb 2024 05:54:41 +0000

Navigating the Majestic Mt. Cook with Stefan Haworth | Capture like an Alpha Traveller

Calvin Tue, 02/27/2024 - 11:24

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FE 70-200mm F2.8 GM OSS II

What’s in my backpack

Must-see attractions and highlights

Weather, climate and shooting conditions

Embark on your adventures like an Alpha Traveller

IG: @stefan_haworth

Mount Cook National Park, home to towering mountains and vast glaciers, including Aoraki (the Māori name for Mount Cook) itself, presents a paradise for photographers to capture stunning landscapes.

What’s in my backpack

I paired the Sony A7CR alongside the FE 70-200mm F2.8 GM II and FE 24-70mm F2.8 GM II lenses, which proved indispensable allies for capturing the essence of the awe-inspiring landscapes. From the serene blues of Lake Pukaki to the rugged beauty of the Hooker Valley walk and the stunning vistas of Tasman Lake, this Sony setup demonstrated its worth at every turn.

Alpha 7CR | FE 24-70mm F2.8 GM II | 28mm | 1/640 sec | F5.6 | ISO 100

Must-see attractions and highlights

Driving towards Mount Cook National Park, travellers are drawn to the captivating allure of Aoraki/Mount Cook, New Zealand's tallest peak at 3,724 meters. Surrounded by dramatic landscapes, this area is recognised as a UNESCO World Heritage site. Renowned for its glaciers, turquoise lakes, and rugged mountain ranges, the park attracts adventurers drawn to the pristine beauty of an alpine wilderness.

Alpha 7CR | FE 70-200mm F2.8 GM OSS II | 200mm | 1/200 sec | F2.8 | ISO 320

The road meanders alongside Lake Pukaki, famed for its vivid, surreal blues. The mirror-like surface of the lake reflects the stunning silhouette of Mount Cook, captivating travellers with its awe-inspiring presence. Taking a moment to capture this breathtaking panorama, the Sony A7CR, paired with the FE 70-200mm F2.8 GM II lens, meticulously frames the intricate details, unveiling the profound beauty of the region. The gear's advanced image stabilisation technology subtly ensures that each shot remains sharp, preserving the essence of this extraordinary landscape even during a moving journey.

Alpha 7CR | FE 24-70mm F2.8 GM II | 25mm | 1/800 sec | F5.6 | ISO 125

One of the most accessible gateways into the raw and wild mountains, the Hooker Valley walk offers an exhilarating adventure within minutes. This scenic trail traverses swing bridges and wooden walkways and meanders alongside glacial torrents, revealing the rugged beauty of glacial moraines. Along this journey, the FE 24-70mm F2.8 GM II lens is an indispensable tool for capturing the essence of the untamed terrain.

Alpha 7CR | FE 24-70mm F2.8 GM II | 24mm | 1/100 sec | F5.6 | ISO 400

Renowned for its versatility, the FE 24-70mm F2.8 GM II effortlessly adapts to varying landscapes, offering a spectrum of focal lengths encompassing both tight and wide angles. From the grand vistas of the Southern Alps to the intricate details of the glacial moraines, this lens encapsulates sweeping views and intricate details, ensuring an immersive photographic experience amidst the raw beauty of New Zealand's untamed landscape.

Alpha 7CR | FE 24-70mm F2.8 GM II | 42mm | 1/2000 sec | F2.8 | ISO 100

Weather, climate and shooting conditions

While snowfall prevented an ascent to the famous Mueller Hut, the lesser-known alternative track, Red Tarns Track, unveiled stunning views over Mount Cook village with both Hooker Valley and Tasman lakes with the Icebergs. The sharpness rendered by the 61-megapixel sensor of the A7CR enhanced by the FE 24-70mm F2.8 GM II lens revealed unparalleled details of the old braided river beds covered in tussocks on the valley floor. This camera gear combination delivered a visual feast, preserving every detail from the crystal-clear reflections of the mountains surrounding the valleys.

Alpha 7CR | FE 24-70mm F2.8 GM II | 47mm | 1/800 sec | F6.3 | ISO 100

Embark on your adventures like an Alpha Traveller

For adventurers seeking to encapsulate the raw magnificence of Mount Cook National Park, Sony’s gear stands ready, offering precision and reliability to turn each frame into a timeless testament to this pristine wilderness.

Read more on Stefan’s journey around New Zealand.

Braving the rugged wilderness of the Catlins Coast with Stefan Haworth | Capture like an Alpha Traveller

Fly high above the Southern Alps of New Zealand with Stefan Haworth | Capture like an Alpha Traveller

Products

Featured

Alpha 7CR

กล้องฟูลเฟรมขนาดกะทัดรัด 61.0 เมกะพิกเซล

FE 70-200mm F2.8 GM OSS II

เลนส์ซูมเทเลโฟโต้ G Master สำหรับกล้องฟูลเฟรม

FE 24-70mm F2.8 GM II

เลนส์ซูมมาตรฐาน G Master สำหรับกล้องฟูลเฟรม

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Lens highlights | FE 20-70mm F4 G

Japan in winter through the lens of @bongtographer_ | Featuring FE 20-70mm F4 G

Calvin — Tue, 27 Feb 2024 05:17:18 +0000

Japan in winter through the lens of @bongtographer_ | Featuring FE 20-70mm F4 G

Calvin Tue, 02/27/2024 - 10:47

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Alpha 7 IV

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FE 20-70mm F4 G

Why Ha-sung chose FE 20-70mm F4 G

Travel Q&A with Ha-sung

Self-proclaimed laid-back traveller, South Korean photographer Bong Ha-sung explores the world to capture wondrous sights and shares them on his Instagram profile, @bongtographer_.

With the FE 20-70mm F4 G and Alpha 7 IV, Ha-sung captures a winter wonderland in Hokkaido, Japan during the Christmas season.

Alpha 7 IV | FE 20-70mm F4 G | 50 mm | 1/320 sec | F13 | ISO 100

Lens highlights | FE 20-70mm F4 G

Compact and lightweight with fast AF, the FE 20-70mm F4 G redefines the standard zoom with an even wider focal length range, becoming a choice lens for versatile creators who are always on the go.

Focal length: 20-70mm
Min. focus distance: 0.30m (W), 0.25m (T)
Max. magnification ratio (X): 0.39
Weight: 488g

Alpha 7 IV | FE 20-70mm F4 G | 70 mm | 1/800 sec | F8 | ISO 100

The lens covers a wide range from wide-angle to telephoto, enabling me to capture everything I encountered on this journey.”

Why Ha-sung chose FE 20-70mm F4 G

As Ha-sung was travelling during winter when physical activity tends to be limited, he was looking for a versatile lens that could cover a wide range of focal lengths. “From expansive landscapes to distant subjects, the FE 20-70mm F4 G proved to be versatile, allowing me to capture it all.”

Alpha 7 IV | FE 20-70mm F4 G | 20 mm | 1/250 sec | F8 | ISO 160

Travel Q&A with Ha-sung

Tell us about the images you captured.

I wanted to capture the vastness of the snowy landscape. In the village, I aimed to capture the way people live in a snowy city and the small moments of their everyday lives.

Alpha 7 IV | FE 20-70mm F4 G | 43 mm | 1/320 sec | F4 | ISO 100

What was your experience like with your camera gear?

When I was in a village called "Biei,” snow was pouring down so heavily. Despite the challenging conditions, I managed to consider the focal length and capture the shots. Even if the subject was far away and difficult to reach, I used the crop mode to capture the shot. This allowed me to cover up to 70mm, which was great. Since the houses in the village were designed higher than eye level, shooting with a wide-angle lens would have resulted in distortion when trying to capture the entire scene. However, at 20mm, I was able to avoid distortion.

Alpha 7 IV | FE 20-70mm F4 G | 28 mm | 1/250 sec | F9 | ISO 100

What should fellow photographers look out for in winter?

I recommend trying slightly overexposed settings. Snow tends to appear darker than expected, so overexposure is often used to capture the bright feeling that snow gives. Also, since it's travel photography, I recommend capturing shots from various angles. With the swivel LCD monitor, you can shoot from eye level, as well as low or high angles, which is crucial for ensuring the diversity of your photos.

Alpha 7 IV | FE 20-70mm F4 G | 50 mm | 1/1250 sec | F4 | ISO 100

In travel photography, even the coldest moments can become warm memories.”

Get inspired

If you’re heading to Japan too, give Hokkaido a visit. Its landscapes are especially stunning in winter, and it’s renowned for its snow-covered scenery.

See through the lens of more photographers.

Admire New York through the lens of @jinifoto | Featuring FE 20-70mm F4 G

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Featured

Alpha 7 IV

กล้องไฮบริดฟูลเฟรม

FE 20-70mm F4 G

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Street Photography

Lens highlights | FE 20-70mm F4 G

Admire New York through the lens of @jinifoto | Featuring FE 20-70mm F4 G

Calvin — Mon, 26 Feb 2024 08:58:29 +0000

Admire New York through the lens of @jinifoto | Featuring FE 20-70mm F4 G

Calvin Mon, 02/26/2024 - 14:28

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Tips

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Alpha 7 IV

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FE 20-70mm F4 G

Why Sung-Jin chose FE 20-70mm F4 G

Travel Q&A with Sung-Jin

Known as @jinifoto on Instagram, South Korean photographer Park Sung-Jin travels the world to capture the wonders each country brings.

Sung-Jin explores the architecture and cityscape of New York with his trusty and versatile FE 20-70mm F4 G and Alpha 7 IV. He takes us on a journey through New York and its Autumn hues, from dazzling nightscapes to sprawling architecture and towering skyscrapers.

Alpha 7 IV | FE 20-70mm F4 G | 70 mm | 1/320 sec | F10 | ISO 100

Lens highlights | FE 20-70mm F4 G

Compact and lightweight with fast AF, the FE 20-70mm F4 G redefines the standard zoom with an even wider focal length range, becoming a choice lens for versatile creators who are always on the go.

Focal length: 20-70mm
Min. focus distance: 0.30m (W), 0.25m (T)
Max. magnification ratio (X): 0.39
Weight: 488g

Alpha 7 IV | FE 20-70mm F4 G | 34 mm | 1/125 sec | F8 | ISO 100

I chose this lens for its lightweight and compact size as it’s convenient for travel.”

Why Sung-Jin chose FE 20-70mm F4 G

Sung-Jin wanted to capture the beauty and colours of New York in autumn and needed a versatile lens that could capture everything from street shots to scenery. As he planned to do a fair bit of walking, a light and compact lens was important to him which is why he chose the FE 20-70mm F4 G.

Alpha 7 IV | FE 20-70mm F4 G | 20 mm | 1/50 sec | F4.5 | ISO 1600

Travel Q&A with Sung-Jin

How did your equipment help you capture beautiful moments?

A wide-angle lens is ideal for capturing fleeting moments. You get to capture a scene and appreciate more of it in a wider frame. At its widest the FE 20-70mm F4 G lens is great for shooting tall buildings.

Alpha 7 IV | FE 20-70mm F4 G | 70 mm | 1/2000 sec | F9 | ISO 200

Where would you recommend fellow photographers to go in New York?

If you're visiting for the first time, I recommend strolling vertically through Manhattan. You can start from Lower Manhattan and walk all the way to Greenwich Village. You can also walk from Times Square to Central Park. I recommend early morning hours when there are fewer people.

Alpha 7 IV | FE 20-70mm F4 G | 20 mm | 1/200 sec | F8 | ISO 100

What were your most memorable moments in New York?

On the last day of my trip at Central Park, the autumn colours of the maple leaves were beautifully coloured. The sunset made it even better.

Alpha 7 IV | FE 20-70mm F4 G | 34 mm | 1/25 sec | F4 | ISO 1000

Photos are about documenting. Each photo takes me back and allows me to feel the joy of that moment.”

Get inspired

To other photographers planning a trip to New York, Sung-Jin recommends visiting one of its many observation decks for breathtaking views and photo opportunities.

See through the lens of more photographers.

Japan in winter through the lens of @bongtographer_ | Featuring FE 20-70mm F4 G

Products

Featured

Alpha 7 IV

กล้องไฮบริดฟูลเฟรม

FE 20-70mm F4 G

เลนส์ซูมมาตรฐาน G สำหรับกล้องฟูลเฟรม

Article Theme

Architecture

Cityscape/Nightscapes

Street Photography

Incredible India through the lens of @jinifoto | Featuring FE 24-70mm F2.8 GM II

Calvin — Mon, 18 Dec 2023 09:53:58 +0000

Incredible India through the lens of @jinifoto | Featuring FE 24-70mm F2.8 GM II

Calvin Mon, 12/18/2023 - 15:23

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Alpha 1

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